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12 pages tagged “Lighting”.
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Chetan Ankola made a lantern-carrying ghost in the browser: rain, black water, fabric that flutters. GPT 6 Astra did the design, Claude Opus 5.5 wrote the Three.js. We look at the cloth, the light and five small interactions.
How to turn photos of a real place into a playable level, with a desk race track as the example: capture and scale reference, blockout, modelled, generated or scanned props, collisions and the racing line, and lighting that keeps the real look.
jay88 had Claude Opus 5.5 build a Three.js pumpkin you carve with four tools and then light, in one Claude Code session. The prompt was two lines; the real work is the carve-map technique the model chose.
Sac's 36-second pre-launch scene reel from The Little Prince: the King's palace, a glass-roofed stone house, the Lamplighter's rock. Landmarks, motifs, a shared kit, lighting and per-planet bundles.
Frank Reitberger ported Mercury's 64k intro Delight to the browser on three.js WebGPU. We map its render pipeline, from a raymarched G-buffer to bloom and glare, and show how to build a small version with an AI coding model.
Stained Glass is one of the 30 free AI browser games Aman shared: H3 Max generated a gameplay-style clip, then Claude rebuilt it in Three.js. Here's the pipeline and the one rule that makes it work: the light is the floor.
Akakumaya's Hakoniwa Sekai received six new 3D dioramas you can explore in a browser. Here's what the six have in common, and the template he uses to cut very different submissions into one showcase.
akiweb's 3D diorama Hakonigram lets hologram koi, jellyfish and over 100 yokai light a whole rainy city. Here's the dark base, the line-and-particle hologram look and the bloom.
Chetan Ankola's guitarist-in-his-bedroom scene flips between sketch, watercolour, cel and manga looks with one click. How separate mood and style presets do the work.
Chetan Ankola moved his GPT 6 Astra soap bubbles to a Wynwood mural street and a garden. How the scene swaps, per-scene exposure and the bent view through each bubble work.
Chetan Ankola says the gap between good and great AI work is observation and detail. We list the details his Three.js swamp boat game actually shows: palette, wear, light, fog and HUD.
What sits behind Claim Avenue's biggest update: day-night and weather computed from a shared clock instead of pushed by a server, capped position updates, and a world that slows itself down under lag.
