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12 pages tagged “Blender”.
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Stefan is building the strategy game he has wanted for 15 years with AI. Day 20 adds a golem that hides as a pile of rocks and a tavern where you hire fighters. We follow the golem from reference images into Unity.
genevieve__h from Google AI Studio turned photos of her home-office desk into a kart racing game with Gemini 4 Argon, Blender MCP and Three.js. We rebuild the method frame by frame.
Gemini 4 Argon in Antigravity built a Japanese temple complex with a five-storey pagoda in Blender from one prompt. We unpack that prompt: a skill doc, blueprints, Nano Banana references, four specialist subagents and a critic.
Sac built a planet-by-planet 3D Little Prince with Opus 5.5, Tripo and Blender, playable in the browser. Here's the asset pipeline and how the scenes are organised.
A paste-in project prompt for an agent building in Blender over MCP: units, grid, naming, style rules from your references, re-runnable code and a self-check loop with fixed-camera renders, plus companion prompts for drafting rules and running a checker agent.
How to let a coding agent drive Blender through an MCP server: setup, building rules and references, self-checks with fixed-camera renders, splitting work between agents, and keeping the scene editable.
The export recipe for getting Blender scenes into browser games as small, fast GLB files: phone and desktop budgets for triangles and draw calls, baking, texture sizes, Draco/Meshopt/KTX2 trade-offs, naming, colliders and LODs.
The full path from one concept image to a game-ready 3D model with Tripo, Meshy, Rodin or Hunyuan3D: input image rules, picking candidates, decimation and retopology budgets, UV and texture fixes, scale, pivot and export.
How to turn photos of a real place into a playable level, with a desk race track as the example: capture and scale reference, blockout, modelled, generated or scanned props, collisions and the racing line, and lighting that keeps the real look.
Sac had Opus 5.5 build a 33-second game teaser in Blender from one prompt: a rose, prop-topped planets, a fox and a sunset over clouds. How simple geometry gets real depth.
Sac has been driving AI video with Blender gray-box renders to cut rerolls. His side-by-side shows why: one prompt, two models, two different stagings. How the whitebox route works.
A free tool copies a filmed person's motion onto any Mixamo character and hands back a skinned GLB. How to set it up in Blender, how long the first run takes, and where it stops.
