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9 pages tagged “Vibe coding”.
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Chetan Ankola made a lantern-carrying ghost in the browser: rain, black water, fabric that flutters. GPT 6 Astra did the design, Claude Opus 5.5 wrote the Three.js. We look at the cloth, the light and five small interactions.
maxescu re-ran @techhalla's exact Gemini 4 Argon vs Opus 5.5 prompt in Antigravity and got a four-machine da Vinci museum. How the scene is built, and why one run per model proves little.
Shared by @threejs: eight Monet paintings turned into WebXR worlds you can walk, fly and paint in. How the brushstroke renderer, the hand controls and the voice guide work.
Meng To is building an icon-and-illustration-to-3D tool with Opus 5.5: presets, materials, bases and animated backdrops. How it is structured, and where an SVG-to-3D pipeline breaks.
TechHalla gave both models the same da Vinci workshop brief and cut the results into a split screen. Opus built a warm museum, Gemini an engineering dashboard; what each chose, and what one run can’t tell you.
A betta fish that lives on a Mac desktop, generated entirely in code by Opus 5.5. We break down the fin rays, the colour and the lagging motion so you can code your own.
Chetan Ankola's bubble toy floats iridescent soap bubbles over a 360° courtyard photo. How the bubble material, the backdrop and the three-verb controls fit together.
Chetan Ankola moved his GPT 6 Astra soap bubbles to a Wynwood mural street and a garden. How the scene swaps, per-scene exposure and the bent view through each bubble work.
Chetan Ankola vibe-coded a palm island with an ocean and a pool in Three.js. How depth colour, sun glints, horizon haze and depth of field make the water read as tropical.
