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10 pages tagged “3D”.
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Gemini 4 Argon in Antigravity built a Japanese temple complex with a five-storey pagoda in Blender from one prompt. We unpack that prompt: a skill doc, blueprints, Nano Banana references, four specialist subagents and a critic.
maxescu re-ran @techhalla's exact Gemini 4 Argon vs Opus 5.5 prompt in Antigravity and got a four-machine da Vinci museum. How the scene is built, and why one run per model proves little.
Sac had Opus 5.5 build a 33-second game teaser in Blender from one prompt: a rose, prop-topped planets, a fox and a sunset over clouds. How simple geometry gets real depth.
Stefan Vaskevich gets a deer and a boar walking in 3D with no mocap and no hand keyframing. The whole trick is one colour per leg; here's the pipeline and where it slips.
A SIGGRAPH Asia 2026 method turns missing, extra and jittery mocap markers into clean body-and-hands motion, with one model for any layout. The code isn't out yet; here's what it means for game animation.
Stefan Vaskevich posted Gemini 4 Argon rebuilding Never Gonna Give You Up in 3D, beside the original. Thirty seconds show what the model gets right in 3D and animation, and what it doesn't.
Meng To is building an icon-and-illustration-to-3D tool with Opus 5.5: presets, materials, bases and animated backdrops. How it is structured, and where an SVG-to-3D pipeline breaks.
TechHalla gave both models the same da Vinci workshop brief and cut the results into a split screen. Opus built a warm museum, Gemini an engineering dashboard; what each chose, and what one run can’t tell you.
A betta fish that lives on a Mac desktop, generated entirely in code by Opus 5.5. We break down the fin rays, the colour and the lagging motion so you can code your own.
Akakumaya blocked the venue, the dance, every camera move and the light cues in a grey 3D previz, then turned it into anime cut by cut in Dreamina. Here's the previz workflow and the stand-in trick.
