Index
One real piece, taken apart: tools, order, settings, pitfalls.
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Chetan Ankola made a lantern-carrying ghost in the browser: rain, black water, fabric that flutters. GPT 6 Astra did the design, Claude Opus 5.5 wrote the Three.js. We look at the cloth, the light and five small interactions.
Stefan rebuilt his childhood favourite, F-Zero X, as the browser racer ZERO-G with AI in two days, and it was played 1,000+ times. Here's the asset pipeline and the design that makes people finish a race.
Stefan is building the strategy game he has wanted for 15 years with AI. Day 20 adds a golem that hides as a pile of rocks and a tavern where you hire fighters. We follow the golem from reference images into Unity.
genevieve__h from Google AI Studio turned photos of her home-office desk into a kart racing game with Gemini 4 Argon, Blender MCP and Three.js. We rebuild the method frame by frame.
Gemini 4 Argon in Antigravity built a Japanese temple complex with a five-storey pagoda in Blender from one prompt. We unpack that prompt: a skill doc, blueprints, Nano Banana references, four specialist subagents and a critic.
maxescu re-ran @techhalla's exact Gemini 4 Argon vs Opus 5.5 prompt in Antigravity and got a four-machine da Vinci museum. How the scene is built, and why one run per model proves little.
Sac built a planet-by-planet 3D Little Prince with Opus 5.5, Tripo and Blender, playable in the browser. Here's the asset pipeline and how the scenes are organised.
A 19-second viral “AI grandpa” clip: how the character is locked by silhouette, shot as fake phone footage and cut to one late gag, and why retakes are the real cost.
Tesana says a user's space game, made with a few prompts, went from 2.5M to over 3M views in just over a week. Here's how it added a Ring world and multiplayer without breaking what already worked.
A fox-eared scout runs, launches off Wind Springs and glides between floating islands. We break down how the movement set becomes the whole game, and how the collectibles feed it.
Tesana says a user built this fly-to-any-planet game from one prompt plus an image reference. We look at what that single prompt has to carry, and what it can't.
Tesana says Aestra's first build took one weekend. We break down how it makes permanent death harsh without driving players away.
jay88 had Claude Opus 5.5 build a Three.js pumpkin you carve with four tools and then light, in one Claude Code session. The prompt was two lines; the real work is the carve-map technique the model chose.
Sac had Opus 5.5 build a 33-second game teaser in Blender from one prompt: a rose, prop-topped planets, a fox and a sunset over clouds. How simple geometry gets real depth.
Shared by @threejs: eight Monet paintings turned into WebXR worlds you can walk, fly and paint in. How the brushstroke renderer, the hand controls and the voice guide work.
Sac's 36-second pre-launch scene reel from The Little Prince: the King's palace, a glass-roofed stone house, the Lamplighter's rock. Landmarks, motifs, a shared kit, lighting and per-planet bundles.
lxfater had a locally hosted ~100B-parameter model write the code, Tripo3D make the car shells and Godot hold it together: a Mini 4WD game with car select, swappable parts and races, in one day.
Sac has been driving AI video with Blender gray-box renders to cut rerolls. His side-by-side shows why: one prompt, two models, two different stagings. How the whitebox route works.
Stefan Vaskevich gets a deer and a boar walking in 3D with no mocap and no hand keyframing. The whole trick is one colour per leg; here's the pipeline and where it slips.
nicekate's 10-minute video covers Gemini 4 Argon's scores, pricing, demos and the five tips from Google's developer guide. We keep what matters to creators: what it costs, where it isn't first, and how the five tips apply to making games.
Stefan Vaskevich opens the local workspace he makes games in: chats beside project pages, saved skills, MCPs for the engines, and a 36-hour Unity run documented card by card.
A free tool copies a filmed person's motion onto any Mixamo character and hands back a skinned GLB. How to set it up in Blender, how long the first run takes, and where it stops.
A SIGGRAPH Asia 2026 method turns missing, extra and jittery mocap markers into clean body-and-hands motion, with one model for any layout. The code isn't out yet; here's what it means for game animation.
Stefan Vaskevich posted Gemini 4 Argon rebuilding Never Gonna Give You Up in 3D, beside the original. Thirty seconds show what the model gets right in 3D and animation, and what it doesn't.
